Clara Royer

A disorienting, claustrophobic film that’s so impressively photographed that it’s difficult to endure, Hungarian director László Nemes’ “Son of Saul” transpires in the bowels of the Auschwitz concentration camp during the Holocaust, where the disquieting pleas of people being shuffled into gas chambers echo through its cold, dimly lit corridors. Their cries have become ambient noise to Saul Auslaender (Géza […]