Christopher Blauvelt

“Certain Women” has no particular plot — a loosely adjoined adaptation of short stories by author Maile Meloy that yields good performances, as expected by Laura Dern and Michelle Williams. It is tailored for  pensive audiences  yet designed seemingly to be forgotten. It’s atmosphere begins to lose oxygen after the first 40 minutes or so, to be partially resuscitated  by Lily Gladstone […]