When thinking about Steven Soderbergh’s Logan Lucky, I keep flashing back to something Stu Redman said in the 1994 TV adaptation of Stephen King’s “The Stand”: “Country don’t mean dumb.” If Soderbergh’s trilogy of Ocean’s films were finely-tuned jazz-funk, consider Logan Lucky to be its scruffier skiffle-band cousin. Sporting a misspelled “DANGERUS” tattoo and a […]
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