2025
Kill Bill: The Whole Bloody Affair is everything I hoped this release would be—actually, it was more than I hoped it would be.
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Wicked: For Good is not just a movie; it’s a statement, a fervent warning against bigotry and xenophobia.
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Now You See Me: Now You Don’t has a game that is thrillingly played, layering scheme upon scheme and drawing us tighter to it as it powers toward its applause-worthy reveal.
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Predator: Badlands is an indispensable part of Yautja lore, offering solid action and providing a fresh, engaging perspective on a nearly 40-year-old franchise.
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Bugonia isn’t a typical hostage situation by any stretch of the imagination; director Yorgos Lanthimos and screenwriter Will Tracy play with our biases and perspectives, cheekily throwing our expectations and what we think of as common knowledge out the window.
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Scott Derrickson and C. Robert Cargill have cooked up some gruesome and effective frights for us in Black Phone 2.
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While the first was more chill with its action and the second wove action and drama together, Tron: Ares is a full-on, gargantuan blast of thrilling action and flawless computer animation.
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Two standout stories in V/H/S/Halloween are enough to balance out their ho-hum companion pieces, where the twists and action feel like the filmmakers were trying too hard to create something shocking or impressive.
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Good Boy works wonders on its bi-level approach to its horror, metaphorically reframing illness as a fiendish monster and literally reframing how we experience said monster by putting us at a dog’s-eye view.
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Scarlett Johansson finds the brilliance of humanity in all of her characters—even in the ancillary folks offering a few lines or two—and layers it deeply within Eleanor the Great.
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