Eddie Pasa
Eddie is a member of the Washington DC Area Film Critics Association (WAFCA) and the Online Film Critics Society (OFCS). Since starting in 2010 at The Rogers Revue, Eddie has written for Reel Film News (now defunct), co-founded DC Filmdom, and writes occasionally for Gunaxin. When not reviewing movies, he's spending time with his wife and children, repeat-viewing favorites on Blu-Ray, working for rebranding agency Mekanic, or playing acoustic shows and DJing across the DC/MD/VA area. Special thanks go to Jenn Carlson, Moira and Ari Pasa, Viki Nova at City Dock Digital in Annapolis, Mike Parsons, Philip Van Der Vossen, and Dean Rogers.
Posts by Eddie Pasa
(This review originally appeared at Reel Film News on April 13, 2013.) When you view a movie that is unlike anything you’ve seen before, how should it be critiqued? Do you focus more on the film’s message, the script, the acting, or the techniques used? This is my dilemma with Silver Circle, a computer-animated film […]
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(This review originally appeared at Reel Film News on April 5, 2013.) Back in 1994, when my family was on Christmas vacation, we managed to catch an airing of one of Green Day’s concerts on MTV (the entirety of which can be found here), where they were shown maniacally darting about the stage, writhing and […]
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(This review originally appeared at Reel Film News on April 4, 2013.) If you read nothing else of this review, know this: if you go see Evil Dead, you must stay all the way past the credits. There’s, shall we say… a little treat. Now, onto the fun. Gorehounds, rejoice! For those of you who […]
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(This review originally appeared at Reel Film News on April 3, 2013.) “Tonight, we are gonna go to the Church of Comedy Fresno, California parish! We want you to bring your pain, ‘cause we got jokes and an open bar, ladies and gentlemen! Tonight, we are gonna use the power of comedy to heal the […]
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(This review originally appeared at Reel Film News on March 22, 2013.) Of late, I noticed that our video collection is skewing more to the DreamWorks side of animated movies instead of Disney/Pixar. That’s not a slight against any other animation houses – it’s just that my 2-year-old seems to like Puss in Boots and […]
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(This review originally appeared at Reel Film News on March 22, 2013.) What do you do when you’re watching a movie that doesn’t really challenge you, offend you, or do anything to provoke any kind of visceral response, yet manages to be sweet? This is the debate I’m having as I recount my thoughts about […]
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(This review originally appeared at Reel Film News on March 22, 2013.) Canada’s entry into the 2012 Oscar race, War Witch, is a stunning and frightening film. It’s frightening to me because in my world, when I see children in movies, they’re usually going on a treasure hunt, trying to rescue a Babe Ruth-signed ball […]
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(This review originally appeared at Reel Film News on March 19, 2013.) In the music industry these days, it seems that there are two types of pop stars: the flash-in-the-pan types that don’t last more than one song, and then there are the timeless artists that have grown out of their niche with each successive […]
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(This review originally appeared at Reel Film News on March 15, 2013.) Director Park Chan-Wook has never been one to shy away from the darker side of the human psyche, as his cinematic output in his native Korea so readily shows. The most-known of his films to Western audiences, Oldboy, was based on a Japanese […]
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