Eddie is a member of the Washington DC Area Film Critics Association (WAFCA) and the Online Film Critics Society (OFCS). Since starting in 2010 at The Rogers Revue, Eddie has written for Reel Film News (now defunct), co-founded DC Filmdom, and writes occasionally for Gunaxin. When not reviewing movies, he's spending time with his wife and children, repeat-viewing favorites on Blu-Ray, working for rebranding agency Mekanic, or playing acoustic shows and DJing across the DC/MD/VA area. Special thanks go to Jenn Carlson, Moira and Ari Pasa, Viki Nova at City Dock Digital in Annapolis, Mike Parsons, Philip Van Der Vossen, and Dean Rogers.
(Originally published at Gunaxin on October 14, 2022.) Where does evil live? The body or the soul? Or is it something else altogether? Are we the product of our traumas, or are we alive in spite of them? Halloween Ends – an effective series closer for the Halloween 40 (H40) timeline – goes hard in the metaphysical paint, asking […]
Read MoreWhat is a love song but a meditation about our heart’s yearnings? As such, Max Walker-Silverman’s debut film A Love Song is titled very appropriately, being about a woman’s journey up out of grief that has led her to a campsite by a lake. But we don’t know that right off the bat – like […]
Read MoreThose familiar with writer/director/film geek paragon Kevin Smith’s story about how he turned his film school education and his convenience store work experience into indie film box office gold will no doubt be enthralled with Clerks III, the follow-up to the 1994 original and its 2006 sequel. 1994’s sleeper hit Clerks spawned an entire microcosm […]
Read MoreThe premise of Wire Room is certainly more interesting than its execution. A lone federal agent in a secure facility tries to prevent a surveillance target from being killed – it’s gold, bearing many opportunities to tell this story with meaning, purpose, and style. As it stands, though, we only have characters we don’t care […]
Read MoreThe linchpin of Breaking lies in John Boyega’s masterful, nuanced performance as Marine veteran Brian Brown-Easley. Not only is the film an indictment of the Veterans Administration, it is also a harsh look at how mental illness is dealt with in this country, especially concerning our military veterans. But more than that, it is the […]
Read MoreNow, this is a vampire story I can dig – a workingman’s vampire movie that leans into its action and comedy elements with gusto and sass. Day Shift revels in making vampire hunting a blue-collar occupation, the way that we’d look at pool cleaners, plumbers, and other similar tradesmen. I’m sure this kind of conceit […]
Read MoreAll you acrophobics in the audience right now who can’t even stand talking about heights need to turn away now. I appreciate you clicking on the link, but I do not wish to cause any discomfort. This opening paragraph is all you’ll get as far as a grace period. So here we go in 5… […]
Read More