Eddie Pasa
Eddie is a member of the Washington DC Area Film Critics Association (WAFCA), the Online Film Critics Society (OFCS) and the International Film Society Critics Association (IFSCA). Since starting in 2010 at The Rogers Revue, Eddie has written for Reel Film News and Gunaxin (both now defunct), and co-founded DC Filmdom. When not reviewing movies, he's spending time with his wife and children, repeat-viewing favorites on 4K or Blu-Ray, going on cruises, working for rebranding agency Mekanic, or playing acoustic shows and DJing across the DC/MD/VA area. Special thanks go to Jenn Carlson, Moira and Ari Pasa, Viki Nova at City Dock Digital in Annapolis, Mike Parsons, Philip Van Der Vossen, and Dean Rogers.
NO A.I. IS USED IN ANY OF THESE REVIEWS.
(Everything you read of mine on this site is a product of Catholic school English classes and reading Stephen King novels.)
Posts by Eddie Pasa
Digger is an examination of the callousness of every elite figure and how the people underfoot are seen and considered, compared to their self-serving whims and actions.
Read More
Forgotten Island is a megaton blast of color, vibrancy, and spectacle, and a celebration of Filipino culture and folklore like I’ve never seen before.
Read More
Sunny Dancer is a spirited, thoughtful, and emotional songbird of a film, coming away with our hearts in its hands.
Read More
Buddy’s a short little shocker that pulls no punches, and gleefully so, even when blood’s gushing from various wounds and parts—either human, animatronic, or furry friend— are strewn everywhere.
Read More
Do Us Part is a fantastic, out-of-nowhere surprise that bests even the most hyped studio-fronted romantic comedies.
Read More
We’re coming to the end of the summer popcorn season, and David Robert Mitchell has turned in a last-minute chair-jumper for us to enjoy.
Read More
This isn’t some swords-and-sandals summer movie that comes and goes with the seasons; it is a piece of everlasting art.
Read More
This physical reimagining of Moana doesn’t tarnish the 2016 film’s legacy, and Hamilton director Thomas Kail has made his near shot-for-shot remake almost as endearing as the original.
Read More
The Invite doesn’t try to state anything profound; it just asks us to look at what’s there and what’s holding them back from being more. And it has such a devil of a time doing it.
Read More